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A Reader/Writer’s Guide to Wine

The world of wine is as vast as the world of books. For those more familiar with books than wine, here’s a quick run down of the basics.

L’Ecole Wine Library. Photo from lecole.com.

Red wine vs. White wine:

The differences between red wines and white wines are pretty obvious; they look different and taste different, and are often described using a completely separate vocabulary. By why are they so drastically different? They are both made from grapes, right? Well, here’s the culprit: the skins. The skins bring a lot to the mix, primarily tannins.

In short, tannins are a naturally occurring substance in grapes and other fruits that has a flavor often described as a bitter taste, causing a dry and puckery feeling in the mouth. Tannins end up in your wine when the vintner allows the skins to sit in the grape juice as it ferments. This is also how wine gets its color! So that’s the short story: red wines are often fermented with the skins for longer than pink or white, which is why they tend to have higher tannin content.

Red v. white wine. Photo from cookinglight.com.

Tannin is the basis of red wine. In general, the darker the wine, the higher the tannin content or “bolder” the taste. Red wines are frequently described as “thicker”, “leathery” or “bitter” depending on the amount of tannin present.

Popular red wine varietals: Cabernet Sauvignon, Zinfandel, Merlot, Pinot Noir, Cabernet Franc, Malbec, Barbera, Sangiovese

White wine has tannin, but not as much as red. What sticks out more in white wines is acidity. That’s what brings words like “crisp” or “tart” to the table when you open a bottle.

Popular white wine varietals: Chardonnay, Riesling, Sauvignon Blanc, Semillon, Moscato (Muscat), Pinot Grigio, Gewürztraminer

Rose, or blush wine, is pink in color. This is because it’s time with the skins is limited compared to red wine. Between red and white wines, rose is closer to white as it is still on the low end of the tannin spectrum.

Popular rosé wine varietals: Pinot Noir, Zinfandel, Pinot Grigio, Sangiovese

Next on the list is Dessert wine and Sparkling wine (or bubbles).

Assorted dessert wines. Photo from wsj.com.

Dessert wine is just as it sounds…frequently enjoyed after a meal for dessert. Yum! It’s often sweeter and higher in alcohol content. The alcohol is usually added to help the drink retain more of the natural sugars that are usually used up during the fermentation process.

Popular dessert wines/fortified wines: Port, Madeira, Vermouth, Sherry, Marsala

Sparkling wine is wine that has carbonation. This comes from either the natural fermentation process or via carbonation injection after the fact. Either way, it’s adds a certain amount of fun to the drink! When looking for a sparkling wine, consider the terms listed on the bottle that indicate how sweet or dry it is.

From driest to sweetest, these terms are: Brut Nature, Extra Brut, Brut, Extra Dry/Extra Sec/Extra Seco, Dry/Sec/Seco, Demi-Sec/Semi-seco and Doux/Sweet/Dulce

Wine edited book. Photo from goodgrape.com.

So, in readers’ speak, how can I sum this up? Red wine is Bram Stroker’s Dracula and white is Twilight. Dracula is a dark, heavy classic, digging into the depths of vampirism and what it does to a man’s life. Twilight is instantly accessible, focuses more on the young, romantic edge and is a lighter read.

Dessert wine could be considered the Shopaholic series of the wine world. Lighter, fun and, in a way, dangerous in that the sweetness often conceals the alcohol content. Just like a beach read, you’ll start out happy and unassuming and before you know it your head is swirling as you turn the page to chapter 15.

Sparking wine is the Great Gatsby of the party. Effervescent and airy, the classy bubbly. One could imagine Gatsby, with some champagne, looking down on one of his lavish parties watching his guests bubbling like the Brut in his glass.

So that’s a brief summery of wine in all its forms. Drink well, friends, and be inspired. Cheers!

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Research for Realism

I have done some crazy things in my life – jumped off cliffs, resuscitated a fish, eaten expired yogurt, gotten married (crazy, yes, but wonderful). But some of my craziest moments have been in the name of writing. Because when it comes down to it, there are times when all the research in the world can’t hold a candle to actual experience.

To get the most realism out of your work, sometimes you just have to live it out. Some things you can fake, but other things you need to experience in order to write about them properly. My last writing experiment I’m pretty sure landed me the official title of neighborhood crazy lady.

I had no idea how it felt to be kidnapped and locked in the trunk of a car – a critical event in the novel I’m writing.  So what did I do? Well, I couldn’t kidnap myself (so I had to do research for that), but I could lock myself in the trunk of a small car (with help, of course, to make sure I could get out!).

The Trunk Experiment

I learned a lot from this experience. I figured out how my character felt when locked in a small space, I heard what she probably heard…the muffled hum of the engine, the warmth that gathers in the floor beneath and the claustrophobic feeling of not being able to straighten out your legs. I pulled my hands behind my back and kept my ankles together to test out the positions she would have been able to lay in. (My husband declined to tie me up for fear of what the neighbors might think. Smart man.)

Most importantly, I discovered the key to my main character’s escape: the glow-in-the-dark handle. How was my character able to open the trunk and signal for rescue? There was a handle on the inside of the trunk for emergency (and boy did she need it!).

Of course, not every story will require such drastic measures. The point is, do your research! If you want your work to carry weight, don’t cut corners. Know the world your characters are living in and don’t always just make assumptions. Another scene I’m writing required extensive tech knowledge which, in all honesty, was way over my head. So I consulted the professionals….ok, they weren’t ‘professionals,’ but they knew a lot more than I did about the subject matter. Doing this research gains credibility in the eyes of your readers in the long run. So don’t short change your work by not knowing exactly what you’re talking about.

Another example is from a fellow writer. She has a scene in her book in which her main character walks into the kitchen of her new home and bounces off a tile in the floor and falls. She knew I used to work in the construction industry and asked me about it. I consulted some flooring colleagues and provided my friend with an alternative: Her character could walk into the kitchen and slip on a squishy floor because the refrigerator had busted a water line, flooding the room. Way more accurate and believable, therefore lending credibility and weight to the story and its teller.

I would like to take this opportunity to encourage you to consider writing about something you don’t know about. Use it as an excuse to try something new. Consider parts of your story that were written strictly from imagination. Could you pursue a course of research on that part? Perhaps you are assuming what the cake in that scene tastes like, even though you’ve never actually tried it. (What a good excuse to eat cake, eh?) Would the screen on a computer go blue in a particular situation? What would a policeman say when he caught your character red-handed? Now, I’m not saying you should go out and commit a crime just to see what would really happen, but I am suggesting that you go through the proper channels to ask about it. There’s never any harm in asking.

Some of the simplest touches can make your work pop. Does your character have a signature habit of peeling oranges in one long strip? How might he do that? Go to the store, pick up a couple oranges and give it a try. Does your protagonist spend a lot of time at the horse tracks? Take a trip with some friends and watch a race. Just use common sense, be safe and have fun. It’s all in the name of accuracy to enhance the weight and accuracy of your writing!

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Short & Sweet

One of my favorite stories is only fifty-three words long.

Bedtime Story by Jeff Whitmore:

“Careful honey, it’s loaded,” he said, re-entering the bedroom.

Her back rested against the headboard. “This for your wife?”

“No. Too chancy. I’m hiring a professional.”

“How about me?”

He smirked. “Cute. But who’d be dumb enough to hire a lady hit man?”

She wet her lips, sighting along the barrel.

“Your wife.”

This story has everything; suspense, betrayal, revenge and even murder. All in fifty-three words! Think that’s impressive?

Legend has it that novelist Ernest Hemingway was once challenged to write a story in six words. His response? “For sale: baby shoes, never worn.”

It’s crazy to think about the power captured in a single word, and crazier still, to think how that power can be augmented simply by adding one or two more words.

In this same spirit, online publication Smith Magazine presented this challenge to its readers with a slight twist. The composition must be a memoir. The website exploded with submissions from well-known and not-so-well-known writers.

The use of tools like Twitter has raised awareness to this gem of a technique. The short (or in this case extremely short) story can be a good way to practice brevity and accuracy in your writing. To make every word count.

So with this in mind, I’d like to extend to you the Nooks & Cranberries Short & Sweet Challenge. Tell us a story, it can be a memoir, a mystery, a thriller….anything. We’ll start with a six word challenge and see where it goes. Com’on now, show us what you’ve got and make it Short & Sweet.

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What Writers Can Learn From TV

I’ll just come out and say it, “Hi, my name is Sarah and I’m a crime show junkie.” Deep breath. There I said it. I LOVE a well written, well cast mystery drama. I devour them like a dog with a fresh steak. I especially love murder mystery shows featuring a crack sleuth author (like Murder, She Wrote or its more recent protégé Castle.) But that’s for another post.

So here’s the kicker, most writers might consider TV a bad habit – something to add to the list of things that keep you from writing. And, for the most part, if you are on the couch for five hours watching a Jersey Shore marathon, that is true. You are wasting your time! And with reality TV – ugh! But I’m here to liberate you from your TV rut.

Yes, get up off your couch, in fact, do a couple laps to get your circulation going again and then get to your writing spot. Now, here’s the bad news – no more reality TV marathons. (There’s really nothing edifying whatsoever about them – although I’m sure if I tried hard enough I could rationalize some merit out of…maybe…one episode.) But fret not my writing friends, there’s good news. Watching TV can actually benefit your writing!

So how can you rationalize watching all your favorite shows instead of writing? How do you tear yourself away from those captivating stories on the screen to create your own? USE them to enhance your own writing!

Here’s the deal, you get to pick one episode of your favorite show (or a scene from your favorite movie) and use it when considering the following list of things we can learn from TV.

  1. Multiple perspectives. That brilliant show you love so much was most likely written by more than one person. What can we learn from this little fact? Don’t be afraid to bounce your ideas or drafts off of a few trusted writing friends or your critique group. Having multiple eyes on a piece can provide depth and perspective that you might not otherwise have.
  2. A short and simple plot. While there are plenty of shows that have multiple sub-plots and character spin offs, ultimately the more successful series have a format where each episode has an overarching, clear and simple plot. Check the show you’ve chosen. What is the main plot in a nutshell? If there’s too much going on in a single episode it can bog down your audience and cause them to lose interest.
  3. Ending on action. Consider your chosen episode again. How does it end? How do the producers keep you coming back for more? They end every episode or commercial break in some sort of action. They leave you with a question or with a vested interest in the main characters that make you care about what happens to them. This is a common method used among many great suspense writers like Grisham and Patterson. It’s what keeps you tuned in through the commercials and what will keep your readers turning the pages.
  4. Dialogue. Dialogue is generally the aspect I come to admire most in my favorite shows. It’s often the feature that makes me classify a show as my favorite. Is the dialogue of your chosen show realistic? Quick-witted? Dry humor? Whatever it is that makes you appreciate the words that come out of your favorite character’s mouth, consider the factors that support what they say. How exactly did they say “I love it.” Was it with sarcasm? Sincerity? With a raised brow in question? What do you think the director told the actor when explaining how they should act out that scene? What was their motivation? Try the following exercise to help you study and catch all the nuances of your favorite scene and see how it helps amplify the dialogue in your own work.

Exercise – watch an episode of one of your favorite shows. Listen carefully to the dialogue and write down your favorite quotes. After the show – use it! Try to re-create the scene surrounding that quote. Capture all the five senses of your characters and portray the mood of the moment. So go ahead, watch re-runs of Friends. But do it with paper and pen in hand.